An Edgar Allan Poe Double Shot

As the title of this entry states, we have TWO Poe-related updates for you today!

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First, you can check out brand new Terra Somnium by artist, Louise Fitzpatrick, and yours truly, RIGHT HERE! We are now 16 pages into the first chapter of the prequel to The Imaginary Voyages of Edgar Allan Poe, and things are getting weirder by the second!

And please, when you check it out, like it, subscribe, and share it with your friends. I can’t tell you how invaluable this is to the folks who lovingly produce webcomics.

 

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Cover by Mark Harmon

 

Second, The Imaginary Voyages of Edgar Allan Poe #2 is now available for purchase HERE ON COMIXOLOGY and HERE ON AMAZON KINDLE!

If you’ve read issue 1, you can see just how different it is from the graphic novel that was published by Image Comics. The reviews we’ve received confirm my long-held opinion that it needed to be revised both script-wise and artistically. The addition of artists, Luis Czerniawski and Andrea Messi, bring so much life and energy to these characters and environs–wouldn’t you agree?

 

In other news, we are wrapping up production on ELEVATOR #3 and we will soon send it to ComiXology and Amazon Kindle. Elevator artist, Randy Valiente, has really knocked this series out of the ballpark. Issue 3 is a real gut punch, so you’ve been warned!

-Dwight

 

 

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I’m Bringing The 80’s Back!

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Photo Credit: Dwight L. MacPherson. All Rights Reserved.

We took some time off in the middle of a busy week to catch the U2 Joshua Tree show in Tampa on June 14th. Rebecca goes back a long way with these guys, from her time living in Dublin, Ireland, through her years of working in the music biz and hanging out with the band–which is another blog post in itself, one I have been trying to get her to write for ages!

The show was phenomenal in every way! I’ve always been told that U2 is a band you have to experience live, and they were right. This was my first time seeing the band I’ve loved since I first saw the video to “Sunday Bloody Sunday” on MTV when I was a teen, so it was really a special experience. Rebecca and I danced and sang along as the band played a grueling set that lasted more than 2 hours. We were in the pit, so we could see the sweat dripping from Bono’s hands. At one point Bono remarked that it was “Muy caliente!” And it was. Hot and humid and Bono was–well–classic Bono, dancing and gesticulating through the Joshua Tree set (and especially during the encore). We were spent after the show, so I’m sure the band was as well! We are now all much older. This isn’t the ’80s, after all!

This experience was made even more awesome because I’m working on a comic that takes place in the 80’s–a time Rebecca and I feel very nostalgic for as pop culture and music was so unique, fresh, and fun. I am having a blast writing the story and I’m sure you are really going to really dig it. Especially if you are a child of the 80’s.

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Speaking of my ’80s superhero team, we are sharing our awesome artist’s, Emiliano Correa‘s, I-TEAM character designs exclusively with our patrons. So if you’d like to become an HP Comics insider, you can do that  RIGHT HERE! 

Dwight

 

The Story Behind Houdini’s Silver Dollar Misfits

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I’ve always enjoyed reading the stories behind the stories that I love. Taking a look behind the curtain, if you will, to glimpse the process, struggles, and sacrifices that writers have made to create stories that have influenced and inspired me throughout my life. Reading The Letters of J.R.R. Tolkien, for instance, was nearly intoxicating. I was amazed, delighted, encouraged, moved to tears in some cases, and affirmed by the intimate details I read. The collection of the Professor’s letters still stands as a cherished work that I return to time and time again. And so, in the spirit of Tolkien’s letters and the many behind-the-scenes records that authors have left behind for us to enjoy, I have decided to share the story behind creating Houdini’s Silver Dollar Misfits. It’s nowhere near as grand, I know, but I hope you will find it enjoyable nonetheless.

Several years ago while I was writing The Surreal Adventures of Edgar Allan Poo Book 2 for Image, I was struck with what I believed was a fantastic story idea: a modern-time group of friends who find a magical silver dollar that had belonged to Harry Houdini. Together the ragtag friends would use the strength of their friendship, teamwork, problem solving, and the magic of the coin, to solve mysteries and help people. My head said I didn’t have the time to develop the idea due to a heavy college workload, the challenges of being a single dad of three little boys, and the pressure of writing a sequel to a successful book, but I did it anyway, because, hey, sometimes you have to make time when inspiration strikes.

After a couple of weeks I began my artist search. Now, for those who don’t know, artist searches are fun, but they can also be arduous and a bit depressing. If I had a dime for every artist who turned me down over the course of my career I’d have Alex Ross covers on all my books.

But that’s another story for another time.

After several days of searching I came across a charming webcomic by cartoonist Worth Gowell. I really liked his style and thought it would work perfectly for the story I’d fleshed out, so I sent an email and pitched the story to him. Honestly, he wasn’t thrilled with the story, so he suggested that a teenage Houdini would be the star, the story in the late 1880s, and his friends would be circus performers. My gut said no, No, NO. A period piece starring a beloved historical figure? I was already doing that in Edgar Allan Poo. And how would an audience respond to a cast of strange and unusual characters that were referred to as “freaks” in their time? I tried to reason with Worth, but, considering the fact that I believed he was the right artist for the book, I eventually conceded. Even so, I am still extremely proud of Kid Houdini and the Silver Dollar Misfits. Next to E.A. Poo, it is my favorite book I’ve created. I even intended to make a continuing series of adventures, but, sadly, that did not work out. In fact, I’m sad to say that the book went largely unnoticed. The lesson I took away from the experience was to stick to my guns when I felt strongly enough something.

So here we are. I am now a publisher, and I can tell the stories I want to tell, how I want to tell them. The beauty of the whole situation is that Kid Houdini and the Silver Dollar Misfits now serves as a prequel of sorts to Houdini’s Silver Dollar Misfits! I say “of sorts” because it is not necessary that one read the old book to “get” the new book, rather it serves as an introduction to the man (the myth, the legend) behind the silver dollar. That’s it. So one need not comb the internet to find the first book…unless one wants to. Hey, I am still extremely proud of Kid Houdini and believe it is a wonderful story that is well worth seeking out.

I cannot begin to tell you how excited I am about this project. Mathieu and I have worked extremely hard to bring you something that we believe is magical! We can’t wait to share it with our friends (yes, that means YOU)!

-Dwight

PS – Don’t forget to mark your calendars for February 1st when the project goes LIVE on Kickstarter!

Inktober…Sketch Two

 

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Here is my horrible sketch for Inktober day 2. I would have colored it, but I’ve eaten all my crayons.

In other news, just 29 days remaining for the launch of HELLEVATOR #1. I cannot wait to share this story with YOU!

Okay, 29 days of bad drawings to go.

-Dwight