We are pleased to announce the Kickstarter campaign for The Imaginary Voyages of Edgar Allan Poe #2 will launch Friday, November 3rd! Mark your calendars and tell your friends, family, and your enemies, too!
You don’t want to miss this next campaign as we will have some incredible incentives! You thought the t-shirt was great? Wait till you see what we have in store for you this time around!
These are just a few of the photos of our amazing Kickstarter supporters showing off their Poe t-shirts and The Imaginary Voyages of Edgar Allan Poe #1 exclusive printed editions. We love getting these posts, so keep them coming! And we are super thankful that you enjoyed the book. You guys had this campaign fully funded in under 30 hours, and we can’t thank you enough for your love and support for us and our little Poe. Be on the lookout as we’ll be announcing the launch date for issue 2 very, very soon!
What an incredible end to an epic journey! When our Kickstarter campaign for The Imaginary Voyages of Edgar Allan Poe Kickstarter-Exclusive print edition #1 launched on July 30th, we could not have dreamed that we would find our project more than 500% funded when all was said and done. While we were quite surprised to find our project fully funded within 30 hours of launch, we had no idea that our awesome supporters would obliterate all of our expectations, pushing us to create new stretch goals to accommodate the overwhelming outpouring of support. It was crazy! I want to thank my dear friends, David Hartman, Juan Ferreyra, and Dave Youkovich, for coming through with such a crazy tight deadline despite being completely swamped with work. I love you guys, and I owe you big time!
And here we are… 528% funded! The next month will see us sending PDFs to our supporters, files to the printer, getting art prints made, and ordering more Poe t-shirts than we ever dreamed we’d sell! And we couldn’t be happier to do it! Seriously, we can’t thank you enough!
But the good news doesn’t stop there! Today on ComiXology and Kindle, the digital-first copy of The Imaginary Voyages of Edgar Allan Poe #3 drops, and we make a special announcement over on Line Webtoon for our weekly Terra Somnium (the companion book to IVOEAP) update! And we really want to thank all of our subscribers on Line Webtoon as well. It is going to get a lot crazier in the Land of Dreams, so check it out, subscribe, rate it, and help us spread the word.
Here are the links for the digital-first copy of The Imaginary Voyages of EAP #3:
We’re going to just let this review speak for itself:
I’ve been very vocal about the first two comic book titles from Hocus Pocus Comics. I expected the new “director’s cut” of Edgar Allan Poo to be great because I thought the book was brilliant when I read it the first time around. I certainly haven’t been disappointed in the relaunch and love not only the changes that have been made to the story but the spectacular new artwork as well. When it comes to their other new book Elevator, it really is an extremely well done horror comic. The first issue was like a Porsche. You opened the book and it went from zero to a hundred pretty quick. But issue two was like taking your Porsche onto the Autobahn, gunning it to two hundred miles per hour, and just enjoying the ride. It really was mind-blowing.
Elevator #3 seems to have taken the poor kids who are stuck in hell and taken their destiny right out of their own hands. With their friend Matt gone, Richard and Edward aren’t so much circumventing hell as following this mystery angel who is guiding them from place to place. It’s kind of like you are at Disney World and get on the It’s A Small World ride. You are there on the boat, you can’t get off, and you’re stuck watching everything around you. At this point it is like that for Richard and Edward except, well, they are in hell.
Now the brothers actually get to learn something big about their past while in hell that I won’t describe in a review as it is way too spoilerish. I will say that what they learn helps them understand their past including things about their treacherous father (who is still roaming around hell looking for his kids). It’s a sad moment for the two boys. I have a feeling that this revelation will factor in greatly to the final issue.
This is coupled with another plot point that I would love to spoil but this reveal is way too big. Back on Earth, at the Helton Inn, that old creepy dude who lured the kids into the elevator to hell is busy making preparations. Basically people will be drawn to the inn, who he’ll put in the elevator, who will then be stuck in hell. Not the best place to spend the weekend…especially if there is a Holiday Inn down the street. We see old creepy dude finalizing his plans and then the big reveal happens on who he really is. Again – too big of a reveal to spoil it in this review. But it really will make you say, “Ooooooohhhhhhh.”
So most of the issue is the characters not really in control of what they are doing with a good bit of exposition here and there. I guess as issue two moved at such an incredible pace writer Dwight MacPherson needed to fit in more of the story somewhere. That somewhere is issue three. As next issue is the last issue of this miniseries I’m sure the explanation needed to come now so we can all fully enjoy the third act.
Because of this Elevator #3 is slightly disappointing. Now that doesn’t take away how amazing this book is. This miniseries has been outstanding. Even this issue is outstanding. It’s only disappointing because it slightly feels that the exposition had to be pushed in before the fourth issue hit. Now you are absolutely glad to know what you know once you read this issue. But my solution? Make the miniseries longer. I don’t know about everyone else but I would have certainly enjoyed reading five issues instead of four.
All in all this miniseries has been fantastic. The writing is just incredible and artist Randy Valiente does a stunning job bringing this book to life. The black and white artwork is particularly haunting so making the decision not to color this book was such the perfect call. Many of the panels have no background. It’s just white. This in no way takes away from hell. Rather it speaks to how bleak hell really is. You don’t need fire and brimstone to make hell scary. The creatures that inhabit it and the grim, desolate landscape really speaks volumes. I truly applaud this decision.
If you aren’t reading Elevator you should immediately jump on. It truly is one of the best books I’ve read this year. I’m fairly certain that the last issue of this book will completely blow everyone away and I truly can’t wait to see where this journey ultimately takes us.
“Twisted and ominous, yet rich and charming. MacPherson has crafted a complex and enchanting story that blends the macabre and mythological into a strange dream land that is worthy of the great poet and author, Edgar Allan Poe.” – American McGee, Creator and Designer of AMERICAN MCGEE’S ALICE, ALICE: MADNESS RETURNS, and GRIMM
“A beautiful and bizarre adventure into wonder, quirky, lovely and fascinating!” – Kurt Busiek, Multiple Eisner Award-winning creator of ASTRO CITY
“Together in one package, two of the great passions of my youth (that didn’t end there); comics and Edgar Allan Poe. A thrilling adventure with beautiful art. More, please!” – Roderick Gordon, Author of the New York Times Bestselling TUNNELS series
“A glimpse into the enigmatic dreamscape where the great chronicler of mystery and madness, Edgar Allan Poe, meets acclaimed comic creator Dwight L. MacPherson. Readers are in for one wild ride.”– Chris Semtner, Internationally Exhibited Artist, Author, and Curator of the Edgar Allan Poe Museum in Richmond, VA
Everyone loves a little Poe! We are thrilled to announce the launch of our limited-edition printed version of The Imaginary Voyages of Edgar Allan Poe #1–available only through this campaign–on Kickstarter this morning! Yes, this special edition features a brand-new cover by monster man David Hartman and a Making-Of section designed by Tricia Martin. So please click on the link below to join Master Poo and Irving Rat on their wild adventure in Edgar Allan Poe’s head:
As we reach our goal, we will be sending more exclusive content through updates, so be sure to pledge early so you won’t miss a thing.
You asked for a printed edition and we couldn’t be happier to finally offer it to you. We give you our sincere thanks in advance for your pledges, comments, likes, retweets, shares and support. Together we can make it happen!
You asked, and we’re giving it to you: a special Kickstarter-exclusive printed edition of The Imaginary Voyages of Edgar Allan Poe #1!
The book will feature a brand-new cover by brilliant artist, David Hartman, and a specially-designed Making-of section will never be printed anywhere else. Only in this special edition!
Mark your calendars: we will launch on Kickstarter July 31st, and we’ll need all of our friends to bum rush the project to pledge and spread the news about the campaign to make it successful. I know that, together, we can make it happen, so I thank you in advance! You are awesome!
We took some time off in the middle of a busy week to catch the U2 Joshua Tree show in Tampa on June 14th. Rebecca goes back a long way with these guys, from her time living in Dublin, Ireland, through her years of working in the music biz and hanging out with the band–which is another blog post in itself, one I have been trying to get her to write for ages!
The show was phenomenal in every way! I’ve always been told that U2 is a band you have to experience live, and they were right. This was my first time seeing the band I’ve loved since I first saw the video to “Sunday Bloody Sunday” on MTV when I was a teen, so it was really a special experience. Rebecca and I danced and sang along as the band played a grueling set that lasted more than 2 hours. We were in the pit, so we could see the sweat dripping from Bono’s hands. At one point Bono remarked that it was “Muy caliente!” And it was. Hot and humid and Bono was–well–classic Bono, dancing and gesticulating through the Joshua Tree set (and especially during the encore). We were spent after the show, so I’m sure the band was as well! We are now all much older. This isn’t the ’80s, after all!
This experience was made even more awesome because I’m working on a comic that takes place in the 80’s–a time Rebecca and I feel very nostalgic for as pop culture and music was so unique, fresh, and fun. I am having a blast writing the story and I’m sure you are really going to really dig it. Especially if you are a child of the 80’s.
Speaking of my ’80s superhero team, we are sharing our awesome artist’s, Emiliano Correa‘s, I-TEAM character designs exclusively with our patrons. So if you’d like to become an HP Comics insider, you can do that RIGHT HERE!
“Mark Hamill, the beloved Star Wars actor, is taking a little time out to voice an animated Lovecraft feature. He, along with Jeffrey Combs (Transformers Prime), Christopher Plummer and Doug Bradley (Hellraiser) have been set for the voice cast in the upcoming animated feature Howard Lovecraft and the Undersea Kingdom from Shout! Factory and Arcana Studios. Written, directed and produced by Sean Patrick O’Reilly, the film is the adaption of Bruce Brown and Dwight L. MacPherson’s bestselling graphic novel of the same name, and marks the second installment of Howard Lovecraft animated film series. It is scheduled to be released in late 2017.”
Read the rest of the press release here: http://deadline.com/2017/01/mark-hamill-christopher-plummer-jeffrey-combs-animated-feature-film-howard-lovecraft-undersea-kingdom-1201888749/
I’ve always enjoyed reading the stories behind the stories that I love. Taking a look behind the curtain, if you will, to glimpse the process, struggles, and sacrifices that writers have made to create stories that have influenced and inspired me throughout my life. Reading The Letters of J.R.R. Tolkien, for instance, was nearly intoxicating. I was amazed, delighted, encouraged, moved to tears in some cases, and affirmed by the intimate details I read. The collection of the Professor’s letters still stands as a cherished work that I return to time and time again. And so, in the spirit of Tolkien’s letters and the many behind-the-scenes records that authors have left behind for us to enjoy, I have decided to share the story behind creating Houdini’s Silver Dollar Misfits. It’s nowhere near as grand, I know, but I hope you will find it enjoyable nonetheless.
Several years ago while I was writing The Surreal Adventures of Edgar Allan Poo Book 2 for Image, I was struck with what I believed was a fantastic story idea: a modern-time group of friends who find a magical silver dollar that had belonged to Harry Houdini. Together the ragtag friends would use the strength of their friendship, teamwork, problem solving, and the magic of the coin, to solve mysteries and help people. My head said I didn’t have the time to develop the idea due to a heavy college workload, the challenges of being a single dad of three little boys, and the pressure of writing a sequel to a successful book, but I did it anyway, because, hey, sometimes you have to make time when inspiration strikes.
After a couple of weeks I began my artist search. Now, for those who don’t know, artist searches are fun, but they can also be arduous and a bit depressing. If I had a dime for every artist who turned me down over the course of my career I’d have Alex Ross covers on all my books.
But that’s another story for another time.
After several days of searching I came across a charming webcomic by cartoonist Worth Gowell. I really liked his style and thought it would work perfectly for the story I’d fleshed out, so I sent an email and pitched the story to him. Honestly, he wasn’t thrilled with the story, so he suggested that a teenage Houdini would be the star, the story in the late 1880s, and his friends would be circus performers. My gut said no, No, NO. A period piece starring a beloved historical figure? I was already doing that in Edgar Allan Poo. And how would an audience respond to a cast of strange and unusual characters that were referred to as “freaks” in their time? I tried to reason with Worth, but, considering the fact that I believed he was the right artist for the book, I eventually conceded. Even so, I am still extremely proud of Kid Houdini and the Silver Dollar Misfits. Next to E.A. Poo, it is my favorite book I’ve created. I even intended to make a continuing series of adventures, but, sadly, that did not work out. In fact, I’m sad to say that the book went largely unnoticed. The lesson I took away from the experience was to stick to my guns when I felt strongly enough something.
So here we are. I am now a publisher, and I can tell the stories I want to tell, how I want to tell them. The beauty of the whole situation is that Kid Houdini and the Silver Dollar Misfits now serves as a prequel of sorts to Houdini’s Silver Dollar Misfits! I say “of sorts” because it is not necessary that one read the old book to “get” the new book, rather it serves as an introduction to the man (the myth, the legend) behind the silver dollar. That’s it. So one need not comb the internet to find the first book…unless one wants to. Hey, I am still extremely proud of Kid Houdini and believe it is a wonderful story that is well worth seeking out.
I cannot begin to tell you how excited I am about this project. Mathieu and I have worked extremely hard to bring you something that we believe is magical! We can’t wait to share it with our friends (yes, that means YOU)!
PS – Don’t forget to mark your calendars for February 1st when the project goes LIVE on Kickstarter!
Hocus Pocus Comics Launches With Edgar Allan Poe and Houdini Comics
The Imaginary Voyages of Edgar Allan Poe marks debut for innovative digital media publishing company
Lakeland, FL: Start-Up Comic Publishers Hocus Pocus Comics will release their dynamic debut comic, The Imaginary Voyages of Edgar Allan Poe, and their website, hpcomics.net, on January 1st, 2017. This begins their first wave of properties to be sold on ComiXology, with the publishers releasing four additional titles throughout 2017.
The Imaginary Voyages of Edgar Allan Poe is a rebranding of the Harvey and Eagle Award-nominated Surreal Adventures of Edgar Allan Poo created by Hocus Pocus Comics’ founder, Dwight L. MacPherson. The Imaginary Voyages of Edgar Allan Poe offers a twisted glimpse into the dream-life of America’s greatest fantasist, Edgar Allan Poe, in the darkest time of his life. Book 1 will be reprinted as Book 1, Issues 1-4 (with an exclusive cover by David Hartman, Rob Zombie album cover artist and producer of Phantasm: Ravager). Book 2 will feature an updated script and all-new art by Luis Czerniawski (Transformers: Evolutions, Kolchak the Nightstalker: The Forgotten Lore of Edgar Allan Poe) and Book 3 is a brand-new story that will finally complete MacPherson’s magnum opus. As he says, “Many readers have asked me what happened to Book 3, as they loved the characters and story. I’ve often joked that it’s a ‘lost book.’ Well, the time is right to finally complete this epic, and I couldn’t be more excited to share this ‘lost book’ with the world!”
Hocus Pocus Comics’ second title, Houdini’s Silver Dollar Misfits, is described by MacPherson as “Harry Potter meets Gravity Falls.” The first issue will be released this spring, and it will feature a cover by David Hartman and interior art by Mathieu Benoit (Jim Reaper: Week One, Lil’ Hellions: A Day at the Zoo).
Speaking on Hocus Pocus Comics’ mission, MacPherson says, “I believe that telling incredible stories is fundamental to a successful publishing company. There are many publishers pumping out a whole lot of mediocre properties, but we would rather take our time, stay small, and produce 3-4 extremely well-written, beautifully-illustrated books per year that will stick with readers long after they finish reading. We believe that good stories are magical, and we will do everything in our power to conjure some truly unforgettable magic.” To that end, MacPherson has put together several stellar teams working on books of several different genres. Hocus Pocus Comics’ motto is Imaginatio est Magicae (Imagination is Magic). Their goal is to create the future’s myths and legends, one comic at a time.
Meet our Team!
President and Publisher: Dwight L. MacPherson
Comic creator, writer, and editor Dwight L. MacPherson has been one of the most prolific writing professionals for more than 10 years. A longtime advocate of webcomics and digital media, his steampunk webcomic, Sidewise (DC Comics), won the June 2009 Zuda competition. He has also seen his creator-owned properties published by Image Comics, IDW Publishing, and many others. For more information: https://dwightmacpherson.wordpress.com
Editor-in-Chief: Amy H. Sturgis
Amy H. Sturgis holds a Ph.D. in intellectual history from Vanderbilt University, teaches at Lenoir-Rhyne University, and specializes in Science Fiction/Fantasy and Native American Studies. The author of four books and over fifty essays, and the editor of six books, Sturgis has won awards for her scholarship (The Imperishable Flame Award for J.R.R. Tolkien Scholarship), journalism (Best Magazine Review/Criticism/Column Award from the Los Angeles Press Club), and podcasting (The Sofanaut Award from listeners of the Hugo Award-winning StarShipSofa). For more information: http://www.amyhsturgis.com
Creative Director: Bruce Brown
Bruce Brown is the creator and writer of Howard Lovecraft and the Frozen Kingdom, now a motion picture. He is also the co-writer (with Dwight L. MacPherson) of Howard Lovecraft and the Undersea Kingdom, which is now in pre-production. Several of Brown’s properties have been published by Image Comics and Arcana Comics. He has multiple properties currently in production as well as a spin-off to the wildly successful Howard Lovecraft series.
Production Manager: J.M. Bryan M. Bryan is a writer and designer. He has an Associates in the Arts degree from Jackson College and a Bachelor of Theology w/minor in Language from Michigan Baptist Seminary. He spends his days with his wife and two children and his nights pouring his imagination onto paper. He is currently writing two comic series.
Rebecca MacPherson has over seven years of TV/Film and Theatre Production experience from her tenure at both Tribune Studios and Fox Studios. An NAACP Award for Best Local Producer nominee for the Los Angeles production of Stage Directions, she worked with Academy Award actor, Denzel Washington, as Production Secretary on his directorial debut, Antwone Fisher for Fox Searchlight Films.
For more information on Hocus Pocus Comics, please contact: firstname.lastname@example.org